The spies are atypical persons. Inside the spying, Jason Bourne it is even more. Or, rather, in the world of the movies of action the personage that Matt Damon becomes incarnate for the fourth time emphasizes for a few qualities that they distance it of the heroes to the use of the genre.
The attraction of the amnesic agent and the process by means of which it reconstructs its identity are the base of the success of the trilogy that now is completed by a new movie, titled laconically Jason Bourne, and that is released this Friday. An impeccable technical invoice script, rhythm, secondary, action sequences watch Jason Bourne full movie and the message of fund of the movies – the warning of the excesses committed in the field of the intelligence – complete the arguments in favor of a saga that has renewed the genre precisely spoiling its topics.
Opposite to the monolithic soundness of the heroes of action, Bourne turns out to be fragile and vulnerable because of its loss of memory. The spectator identifies quickly with this situation, tie that becomes closer as well as as soon as the spy unravels the puzzlers of its past at the same time that the public. Which does not mean that he lacks skills. It has them, and many: the physical capacity for the combat there are requisites of this type of movies, but, in this case, its workmanship – included a very significant mastery of several languages.
Always seems asumibles because the plots never become alienated from the reality. Bourne ensaña does not make a free use of the violence either: the progressive recovery of its identity and the assumption of whom is it and why was it prepared he drives first to the doubts and then to the certainties that are born of its moral position. In the Bourne movies there are no many women, but those who exist they are intelligent, fortresses and they him are of big help, the other way round of the topic of the girl whom the hero saves.
Three movies led by Damon divide of a slightly common premise in the genre of action that invoices Hollywood, more inclined to justify – and to promote – the world politics of alertness and intervention for the United States. In the original trilogy you took hold of the exhibition of the excesses that this zeal has caused in the bosom of the North American intelligence, with an abuse of its attributions that go from the use of the torture up to the indiscriminate pursuit.
The latter aspect seems to occupy the forefront in the new delivery, since the stir that there brought with it the revelations of the exanalyst of the CIA Edward Snowden there were partly the incentive that Damon needed to turn the role and Paul Greengrass to direct.
The Briton Paul Greengrass comes from the television, average reporterismo for which then it would contribute documentaries and movies based on real facts. In its movies it has tackled events as the Irish bloody Sunday of 1972 or the invasion of Iraq in 2003.
In its work for the saga Bourne – Doug Liman directed the first movie – its handling of the camera does not glorify the violence across this domination sensation that the hero transmits the spectator, but it places it in her so that it knows its virulence and the excesses that in its name are committed.
The personage is a symbol of all the changes that have happened in its world like specialist from the last four movies. In fact, she is employed at the CIA like the personage of Joan Allen it did it earlier. Probably someone with its profile did not exist ten years ago. She is part of a new generation of agents of the CIA with technological knowledge.
Something that distinguishes to the Bourne movies is the quantity of talent that it assembles. ‘Jason Bourne‘ takes the big director, Paul Greengrass, and big actors as Matt Damon, Vincet Cassel and Tommy Lee Jones. Was it an important knowledge that you would work with them on having joined this movie?
I think that the people around are the main tool for any project. The history and the personages are important but they are always going to be in the hands of the director. Since you mentioned, Paul Greengrass is the big director. It has been capable of doing movies of drama, action and documentaries with incredible results, but also I am a big fan of the exemption Bourne, I was an adolescent when I saw the first movies, I have seen them often, so it was incredible to be able to join me to this cast.
This year you gained a Óscar for ‘The Danish girl’ and with this change there is always one earlier and one later in the career of anyone. Which has the biggest change been for you?
I think that you it is you who are, the life is very different. The things happened overnight. This night was the most surrealistic and beautiful night of a peculiar way, I will always remember it. Nevertheless, the reality is that after two days of rest, I traveled and went to film ‘Jason Bourne‘. Then, already it had planned from last year that would do a movie with Win Winders and would continue. Moreover, I am going to return in one week to finish this movie. Simply I returned to work, of that also it talks each other to gain these awards, of the passion for doing movies.
Michael Fassbender and you there are a big couple. They had both a big year: they were nominated to the Óscar, you won, they did a movie together: ‘ The light between oceans’, which will be released soon, and both will do movies on video games, you will do ‘Tomb Raider‘, he ended ‘Assassin’s believe’ …: what do you think of all these coincidences? Although I do not know if to call them like that.
I do not know if there is any coincidence. We are thrilled both by the premiere of ‘The light between oceans’ in September in the USA. Now I am doing this press conference, I will continue in New York and when I should be there alone will have a day of rest after ‘Jason Bourne‘ ends. Later I will begin to promote ‘The light between oceans’ and we are much thrilled of that the movie finally is released.